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Ren Collins- Studio Art

Artist Statement

Drop the Weight/ Take Up Space

 

From a young age, women are taught to project an image of themselves that subscribes to the ideal qualities of an established stereotypical version of femininity. That our bodies should give when shoved, that we should be nurturing and diffuse conflict, that we should be petite, and above all else we should be receptive and attractive to men. In my practice I describe these established stereotypes as a ‘social script’- one that refers to implied rules about social ideals that classify, divide, and determine value or worth in human bodies. I am questioning stereotypes associated with gender, what does a weight room- or a husband and child expect of me as a woman? 

My paintings examine how I have experienced womanhood as a powerlifter through large-scale figurative paintings that play with fantasies of femininity, consumption of the body, and self-portraiture. My practice is informed by online weightlifting forums where harassing comments and the fetishizing of female bodybuilders and powerlifters is unavoidable. These forums where anonymous individuals simultaneously feast on and degrade the progress of women’s bodies make me question how hard I will have to fight to take up space in a male-dominated community.

My work confronts the social ideal of womanhood by rejecting the expected minuscule, soft modesty of imagined femininity. Instead, I offer a monumentalized image of the feminine body: one who is assertive, who takes up space, commands it, and unapologetically dominates it. The women I paint contrast the petite motif of socially acceptable femininity, and promote bodies that take over their spaces, mountainous women who look strong and capable, protectors who tower over onlookers and defiantly gaze back at those who consume them.

Artworks

projects.
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Bio

Ren Collins (American, b. 1997) is a Mexican-American painter examining social structures. Her work explores social expectations of gender, the performance of masculinity and femininity, and gender stereotyping. 

Collins’ paintings are large-scale, figurative works that confront fantasies of femininity, the consumption of the female body, and the underlying social expectations for young women to project an image of the ideal qualities of stereotypical femininity. Collins confronts the social ideal of womanhood by rejecting the expected minuscule softness and modesty of imagined femininity. Instead, her paintings offer a monumentalized image of the feminine body that takes up space, commands it, and unapologetically dominates it. 

Collins graduated with honors from the University of Tennessee with a Bachelor of Fine Arts. In 2021 her work was shown in the Student Exhibition, Immortal Messages, at the Institute of Contemporary Art in Chattanooga. Currently her work is on display at the 2022 Will/Aspire Winter Exhibition at ArtsBuild in Chattanooga, as well as the 2022 BFA Thesis Exhibition at the Institute of Contemporary Art at the University of Tennessee.

about.

CV

Education 

2018-2022

Bachelor of Fine Arts | University of Tennessee at Chattanooga | 2018 - 2022

  • BFA in Painting and Drawing.

  • Minor in Art History

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Awards/ Artist Talks

2022

  • 2022 Senior Thesis Artist Talks (Online) 04/19/2022| University of Tennessee-Chattanooga| Chattanooga, TN

  • 2022 BFA Thesis Exhibition Artist Talks 03/30/2022| Institute of Contemporary Art | Chattanooga, TN

2018

  • 2018 Bacchanal Award | Tennessee Technological University| 2018

Exhibitions 

Group Shows

2022

  •  MASC | 1010 Gallery | Knoxville, TN​

  • 2022 AVAPOPUP: Chattanoogans| Association for Visual Arts | Chattanooga, TN

  • 2022 BFA Thesis Exhibition| Institute of Contemporary Art | Chattanooga, TN

  • Will/Aspire| ArtsBuild| Chattanooga, TN​

2021

  • Immortal Messages| Institute of Contemporary Art| Chattanooga, TN

2019

  • WCTV Student Exhibition| Tennessee Technological University| Cookeville, TN

Reaching Out

Rencollinsart.studio @gmail.com

  • Instagram

Feel Free to Reach Out!

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